The Vigil

The Vigil (2020)

Say your prayers

01/07/2020

#Horror#Mystery

Overview

A man providing overnight watch to a deceased member of his former Orthodox Jewish community finds himself opposite a malevolent entity.

Status: Released

Rating: 58%

Original language: EN

Budget: $0

Revenue: $1,868,659

Official website:

Details

Production Companies

Angry Adam Productions

Angry Adam Productions

Blumhouse Productions

Blumhouse Productions

BoulderLight Pictures

BoulderLight Pictures

Social Network

IMDb: https://www.imdb.com/title/tt10793644

Wikipedia: https://www.wikidata.org/wiki/Q96965188

Facebook: No data

Instagram: No data

X: No data

Cast

Reviews (2)

Review by: SWITCH.

Written by: SWITCH. on 2020-07-22T04:12:41.651Z

'The Vigil' explores a dark part of history via some fascinating mythology that is underutilised in modern cinema. It's a shame that an interesting concept for supernatural thriller falls victim to the influence of lazy modern horror filmmaking tropes and clichés.

  • Jake Watt

Read Jake's full article... https://www.maketheswitch.com.au/article/review-the-vigil-a-rare-excursion-into-yiddish-horror

Review by: CinemaSerf

Written by: CinemaSerf on 2022-03-27T11:19:26.866Z

I will admit to feeling just a little uneasy as I walked back to the car after watching this debut from Keith Thomas at 11pm. Dave Davis is "Yakov" who is a bit down on his luck, on some pretty heavy medication, and struggling to get back on track after a fairly traumatic event from his past. A rabbi asks him if will act as a "Shomer" - a person who sits with the deceased to recite prayers and generally ward off any evil before burial. As he watches over the body, the usual spooky things start to happen - lights flicker; things go bump etc; and on that score it's all a pretty routine horror flick; but as his fears start to build, he begins to confront his own demons as much as he must the predatory "Mazzik" that feeds from his fears. Save for a few short appearances from the widow - Lynn Cohen, it's essentially a single-hander and Davis does an OK job - aided by the drearily-lit room and some suitably tense - if frequently over-the-top musical accompaniment. It's not exactly scary - but it's still a decent effort based on a source of legend rarely exploited by Hollywood. Best seen late at night when it's dark outside, I'd say...

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