
Edward Yang (Chinese: 楊德昌; pinyin: Yáng Déchāng; November 6, 1947 – June 29, 2007) was a Taiwanese filmmaker. Yang, along with fellow auteurs Hou Hsiao-hsien and Tsai Ming-liang, was one of the leading film-makers of the Taiwanese New Wave and Taiwanese Cinema. Yang's singular visual style has been defined by deliberate pacing, long takes, fixed camera, few closeups, empty spaces, and cityscapes. His films prominently feature themes of struggle between tradition and modernity, and between business and art, set against the backdrop of an evolving Taiwanese society.
Edward Yang (Chinese: 楊德昌; pinyin: Yáng Déchāng; November 6, 1947 – June 29, 2007) was a Taiwanese filmmaker. Yang, along with fellow auteurs Hou Hsiao-hsien and Tsai Ming-liang, was one of the leading film-makers of the Taiwanese New Wave and Taiwanese Cinema. Yang's singular visual style has been defined by deliberate pacing, long takes, fixed camera, few closeups, empty spaces, and cityscapes. His films prominently feature themes of struggle between tradition and modernity, and between business and art, set against the backdrop of an evolving Taiwanese society.
IMDb: https://www.imdb.com/title/nm0945981
Wikipedia: https://www.wikidata.org/wiki/Q716700
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Yi Yi
Character:Pianist (uncredited)
Release Date:20/09/2000

Jam
Character:
Release Date:04/07/1998

Yang ± Yin: Gender in Chinese Cinema
Character:Self
Release Date:04/06/1998

First Love Unlimited
Character:Tap's step-father
Release Date:26/03/1997

When Cinema Reflects the Times: Hou Hsiao-Hsien and Edward Yang
Character:Self
Release Date:01/09/1993

Taipei Story
Character:Bartender (uncredited)
Release Date:01/05/1985

A Summer at Grandpa's
Character:Guanglin
Release Date:24/11/1984

The Winter of 1905
Character:
Release Date:01/11/1982

Happy Single Lady
Character:
Release Date:24/10/1981