Copacabana

Copacabana (1947)

So LAVISH! So LILTING! So LADEN with LAUGHTER!

30/05/1947

#Comedy#Music

Overview

A talent agent sells his girlfriend to a nightclub – as two separate acts. The deception and constant costume changes are too much for his girl, and the men who have fallen for the different performers.

Status: Released

Rating: 53%

Original language: EN

Budget: $1,300,000

Revenue: $1,250,000

Official website:

Details

Production Companies

Beacon Productions (III)

Beacon Productions (III)

Social Network

IMDb: https://www.imdb.com/title/tt0039277

Wikipedia: https://www.wikidata.org/wiki/Q3206148

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Cast

Reviews (1)

Review by: CinemaSerf

Written by: CinemaSerf on 2022-07-07T20:18:03.995Z

The thing that frequently gets me about films like this, is that we would ever have got dressed up to the nines for a evening/early morning of entertainment that is all so very rigid and regimented... The dancing routines are so very heavily choreographed and the size of the places - with a band, dancers and a spotlit leading performer - must have been most off putting for diner and entertainer alike. This one has quite a quirky storyline: Graucho Marx ("Devereaux") has just one act - Carmen Miranda - on his books but venue owner Steve Cochrane ("Steve") is looking for more, so Marx hits upon a plan whereby his star does her Brazilian samba act for some of the time, then upscales as the more elegantly alluring "Madame. Fifi" during the downtime - a recipe for a fast paced juggling act that Barnum would have been proud of. There are some gently amusing sub-plots as their success attracts Holywood producers; Gloria Jean ("Anne") tries to have her way with the unsuspecting boss and crooner Andy Russell gets a few numbers in too. As you'd expect, there are plenty of quippy one-liners from Marx, many of which still raise a smile 70-odd years later, but otherwise time hasn't really been kind to the rest of it. Miranda never did strike any chords with me; and though doubtless an hugely charismatic woman, her act was limited and her thick accent quite difficult to comprehend - it really was all about the fruit bowl with her. Both have some fun trashing the dressing room towards the end which is quite jolly, but the set-piece dancing elements are unremarkable and the story is, well, daft... Nothing not to like, really, but nothing much to remember either.

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