

Is he a spy? A security risk? Is he unfaithful? Or is he a nice, normal shnook - out to make a million bucks by sheer accident!
19/10/1966
Overview
TV cameraman Harry Hinkle is injured while filming a football game. Seeing big dollar signs, his unscrupulous ambulance-chasing lawyer brother-in-law Willie Gingrich enters the picture, and convinces Harry to overstate his injuries and claim $1 million in pain and suffering. Harry's similarly-minded ex-wife suddenly reappears in an attempt to rekindle their relationship.
Phalanx Productions

Jalem Productions

United Artists

IMDb: https://www.imdb.com/title/tt0060424
Wikipedia: https://www.wikidata.org/wiki/Q1572700
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Review by: John Chard
Written by: John Chard on 2019-07-02T05:45:24.067Z
Morality and cynicism not quite the bedfellows Wilder intended?
Wilder's response to his previous film Kiss Me Stupid's criticism was intended to be a bitter attack on American morality, yet many critics of the time felt Wilder chickened out by sweetening the finale. If he actualy did this is obviously down to each individual viewer to decide, but in my case I just feel that it comes together nicely to finish off a very funny and sharp Wilder film.
Camerman Harry Henkle is working the sidelines filming a Browns/Vikings game when he is flattened by running back Boom Boom Jackson and taken to hospital. His crafty chiseller brother-in-law Willie sees an opportunity to make big money by suing all and sundry for negligence, that Harry is actually OK is a minor inconvenience. This sets us up to watch the dynamic duo of Walter Matthau (Willie) & Jack Lemmon (Harry) try and fake major injury to garner a big pay out. Naturally there are many problems along the way as Harry fights with his moral fibre and a burning torch for his ex wife Sandy. While convincing the doctors and insurance people that he is actually injured is not going to be easy, thus it makes for some truly funny sequences.
As you would expect from Wilder & I.A.L Diamond, the script sizzles with wit and cynicism (perfect material here for Matthau who won the best supporting Oscar), and although the running plot strand of Boom Boom Jackson's guilt and subsequent career jolt does dampen the film down a touch, it's still a winner that can be pleasantly sampled from time to time. 8/10