Sarah and Son

Sarah and Son (1930)

A Powerful Drama of Mother Love

14/03/1930

#Drama

Overview

A ne'er-do-well husband, after years of abusing his wife, disappears with their son, and winds up selling him to a wealthy family. Years later, the wife, now a world-famous opera singer, finally has enough time and money to begin a search for him.

Status: Released

Rating: 52%

Original language: EN

Budget: $0

Revenue: $0

Official website:

Details

Production Companies

Paramount Pictures

Paramount Pictures

Social Network

IMDb: https://www.imdb.com/title/tt0021335

Wikipedia: https://www.wikidata.org/wiki/Q1579725

Facebook: No data

Instagram: No data

X: No data

Cast

Reviews (1)

Review by: CinemaSerf

Written by: CinemaSerf on 2024-02-11T12:57:35.834Z

"Grey" (Fuller Mellish Jr) is a bit of a rake. He treats his wife "Sarah" (Ruth Chatterton) appallingly and after years of this, absconds with their young baby son "Bobby" (who turns into Philippe De Lacy) of whom he soon bores and so he sells him onto a decent and wealthy family before enlisting. "Sarah" is heartbroken but the Great War intervenes and thereafter, the "Ashmore" family who acquired her son decline to give him up - she hasn't got tuppence to rub together. Her luck changes though - her singing takes her to operatic stardom and she is now in a better financial position to appeal directly to her now quite spoilt son. Grimly determined to reconcile her family, she tries to influence "Vanning" (Frederic March). He's a lawyer and a relative of the "Ashmore" family. As she pursues her real goal, a side benefit includes a burgeoning romance between these two. Can she establish her own ideal family unit? The story itself provides for quite an emotional maelstrom. The frustrated mother seeking a son who has never known anyone but the folks he grew up with, loved and took care of him. There's never going to be a conclusion that satisfies everyone, but so long as "Sarah" gets her way. Chatterton delivers well here as does De Lacy as the young lad, but there's just far too little of March for him to make much difference to the rather ploddingly melodramatic fashion in which Dorothy Arzner decides to tell the tale. The production is adequate and the denouement filmed quite effectively, but it's all just a bit flat.

Videos

No trailer available

Backdrops

See all...
/6uQzbWwNkUYuEvsVukJ82HXcBH6.jpg

Posters

See all...

/h2t22VvdVQlPxVhnEWjqoEDSyiZ.jpg

/ofIrmPRImw32juQBhGHzf35RRZY.jpg

/n53LLm6aGQTP8XwiKccapLXrhaS.jpg

/3Yiu2CPWaF8w7bHGcHjPLQMcpwG.jpg

Recommendations